Mishima Kimiyo is one of the most prominent and widely exhibited woman sculptural ceramists. For the past forty years, her work has been shown at museums throughout the world. Like many women clay artists, she began as a painter. In her work, clay became the canvas for silk-screen and transfer renderings of “breakable printed matter”—discarded newspapers, magazines, cardboard boxes and posters. More recently, she has honed her techniques and enlarged her perspective to create monuments to popular culture, focusing on the theme of printed information and wastefulness in a comical, political, and critical fashion. Ever sensitive to the current state of the environment and the overwhelming flow of information in today’s world, Mishima hopes that her work will compel viewers to take notice and even action.