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Sometimes the most compelling art is created by a collision — of old with the new, of individual beliefs with societal norms, or of a community with the larger context in which it lives. Contemporary Japanese ceramics fascinate their viewers for many reasons, but often because of the tension between the veneration of deeply-rooted traditional practice and the equally imperative desire to innovate. There are very few art forms where the wonder and burden of the past is so apparent, yet simultaneously the opportunity of the present so evident. The result can be a reconciliation of past and present, a struggle that brings insight and perhaps a metaphor for a way forward in a changing, technology-driven world.
In 2018, the Gardiner Museum is celebrating a Year of Japan by presenting three vignettes of exceptional contemporary Japanese ceramics: Form + Function, Surface, and Female Masters. We are grateful to Joan B Mirviss for curating the work of thirty remarkable Japanese artists to create these exhibitions. Her connoisseurship has produced a unique perspective of Japan Now.
Related artists
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Ajiki Hiro 安食ひろ
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Fujikasa Satoko 藤笠 砂都子
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Futamura Yoshimi フタムラ ヨシミ
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Hattori Makiko 服部 真紀子
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Hoshino Kayoko 星野 加世子
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Itō Hidehito 伊藤 秀人
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Katsumata Chieko 勝間田 千恵子
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Kawase Shinobu 川瀬 忍
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Kino Satoshi 木野 智史
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Kitamura Junko 北村 純子
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Koike Shōko 小池 頌子
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Kondō Takahiro 近藤 高弘
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Mihara Ken 三原 研
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Miyashita Zenji 宮下 善爾
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Mori Tōgaku 森 陶岳
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Morino Hiroaki Taimei 森野 泰明
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Nakamura Takuo 中村 卓夫
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Ogata Kamio 尾形 香三夫
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Ogawa Machiko 小川 待子
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Ono Hakuko 小野 珀子
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Sakiyama Takayuki 崎山 隆之
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Takiguchi Kazuo 滝口 和男
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Wada Morihiro 和太 守卑良
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Yagi Kazuo 八木 一夫
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Yamada Hikaru 山田 光
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Yoshikawa Masamichi 吉川 正道

